From Publishers Lunch Weekly...
Zoetrope All-Story Short Fiction Contest winner Bernie McGill's first novel THE BUTTERFLY CABINET, based on a true event, revealing what really happened on the last day in the life of 4-year-old girl, from the alternating points of view of her mother, accused of killing her, and a former nanny who wants to unburden herself of a 70-year secret, to Wylie O'Sullivan at Free Press, for publication in summer 2011, by Anna Stein on behalf of Clare Alexander at Aitken Alexander Associates (NA).
Matthew Olshan's MARSHLANDS, a tale of occupation, assimilation and treason pitched as in the tradition of Coetzee's WAITING FOR THE BARBARIANS, beginning with a doctor's release from prison and moving backward in time to discover the nature of his crime, to Courtney Hodell at Farrar, Straus, by Seth Fishman at Sterling Lord Literistic (World).
Len Rosen's ALL CRY CHAOS, in which an aging interpol agent is investigating the bizarre murder of a famous Harvard mathematician and the confounding equation he left behind when a terrifying Bosnian war criminal exacts revenge from behind bars at the Hague and has his men hunt down his family, testing him like Job, until he begins to wonder if the cases are connected by a higher power, to Martin Shepard at The Permanent Press, by Eve Bridburg and Todd Shuster at Zachary Shuster Harmsworth Literary Agency (World).
Julie Kenner, writing as J.K. Beck's books four through six in her soon-to-be-published Shadow Keeper series of paranormal romances about an age-old judicial system that is hidden within and mirrors our own, to Shauna Summers at Bantam Dell, by Kimberly Whalen at Trident Media Group (world).
Kate Taylor's A MAN IN UNIFORM, a historical thriller novel set in 19th century Paris, told against the backdrop of a country struggling to redefine itself after the Dreyfus Affair scandal, to John Glusman at Harmony, for publication in December 2010, by Dean Cooke at The Cooke Agency (US).
Alison Pick's FAR TO GO, an epic historical novel set during the lead-up to Hitler's invasion of Czechoslovakia and the fate of one Jewish family, to Claire Wachtel at Harper Perennial, by Barbara Howson at House of Anansi Press.
Author of Bound South and A Soft Place to Land Susan Rebecca White's A PLACE AT THE TABLE, set in New York and Atlanta about the literary and culinary vanguards of those cities in the twentieth century, to Trish Todd at Touchstone Fireside, in a two-book deal, by Rebecca Oliver at William Morris Endeavor (World English).
Filmmaker John Sayles' long-shopped long historical novel, SOME TIME IN THE SUN, set during the U.S. occupation of the Phillippines at the turn of the twentieth century, to Dave Eggers at McSweeney's, in a nice deal, for publication in Fall 2011, by Anthony Arnove at Roam Agency (world English).
Paul Harding's ENON, set in the same fictional town as his Pulitzer-winning TINKERS, to Susan Kamil for Random House, at auction, sold at the end of 2009, in a two-book deal, by Ellen Levine at Trident Media Group (US).
Elizabeth George's first series for young adults, starting with THE EDGE OF NOWHERE, to Tim Hely-Hutchinson at Hachette UK, for four books, for publication beginning in 2011, by Robert Gottlieb at Trident Media Group (UK/Commonwealth).
Wired magazine editor Chris Anderson's THE NEW INDUSTRIAL REVOLUTION, the story of how entrepreneurs are using web principles to rejuvenate manufacturing - and the economy - through open source, custom-fabrication and do-it-yourself design, predicting that we are about to see the collective potential of a million garage tinkerers unleashed on global markets, to John Mahaney at Crown, by John Brockman of Brockman (NA).
Business school professor and Deadhead Barry Barnes's MANAGEMENT SECRETS OF THE GRATEFUL DEAD, analyzing the band's remarkable thirty-year career, particularly their influence on the business world and the ways in which they pioneered ideas and practices that were subsequently embraced by corporate America, with an introduction by Grateful Dead songwriter John Perry Barlow, to Sara Weiss at Business Plus, in a good deal, in a pre-empt, by Howard Yoon of the Gail Ross Literary Agency.
What's the Matter with Kansas? and The Wrecking Crew author Thomas Frank's untitled book about the resurgence of conservatism in 2010, explaining how the right positioned itself to profit from the economic crisis, why it has flourished despite its discredited ideology, and what its revival means for America's future, to Sara Bershtel at Metropolitan, by Joe Spieler at The Spieler Agency (World).
73 year-old Kenyan conservationist, Dame Daphne Sheldrick's AN AFRICAN LOVE STORY, focused on the love story in the 1950s and 1960s between her and David Sheldrick, the charismatic wildlife campaigner for whom Dame Daphne left her then husband, to Eric Chinski at Farrar, Straus, and to Venetia Butterfield at Viking UK, in a pre-empt, by Patrick Walsh at Conville & Walsh.
German rights to Goldmann, in a pre-empt, and Dutch rights to De Boekerij, in a pre-empt.
Film rights sold previously to Peter Guber at Mandalay for Warner, with Walter Salles to direct, and the Imax rights sold separately to Imax, who start filming this summer in Kenya.
GQ and Wired writer Jason Fagone's GENIUS IS NOT A PLAN, a narrative about four teams furiously competing to win the $10 million Progressive Automotive X Prize for the design of a clean, production-capable car that gets more than 100 mpg, also offering a look at the past and future of automotive innovation; the engineering of cars; and the archetype of the classic American inventor, to Rachel Klayman at Crown, by Larry Weissman at Larry Weissman Literary (world).
Jen Lin-Liu's GREAT NOODLE BAZAAR, a personal narrative arguing that the culinary exchanges along the Silk Road are not only the earliest examples of globalization, but more important, proof that the borders between Asia and Europe are more fluid than those created by nations, to Becky Saletan at Riverhead, by Chris Calhoun at Sterling Lord Literistic (NA).
Dr. Norman Doidge's follow up to THE BRAIN THAT CHANGES ITSELF, in which this expert on brain plasticity tells miraculous stories that further illustrate the brain is not hard-wired as previously thought, but flexible and dynamic, to Clare Ferraro at Viking, with Jim Silberman editing, for publication in 2013, by Chris Calhoun at Sterling Lord Literistic (NA).